Originally published Monday, November 7, 2011 at 5:30 AM

Peek in at Seattle architect's philosophy in 'Houses 2'

Seattle architect Tom Kundig has a new book out, "Houses 2," and gives a lecture at the University of Washington on Nov. 7, focusing on how his designs "unite nature with man-made materials."

Seattle Times arts writer


'Landscape, Community and Craft'

Seattle architect Tom Kundig speaks at 6:30 p.m. Monday, Kane Hall 130, University of Washington, Seattle; free (206-543-7679 or
quotes I like this style. Very cool. Read more
quotes I temped at their office years ago. Besides being talented, he (and Jim Olson) are... Read more
quotes This clean style clears out the mental cobwebs. Americans have too much "stuff&quo... Read more


"I don't think that I could ever design something as beautiful as what's already out there," architect Tom Kundig says of his efforts to fit his houses to their surroundings. "We're here to frame the landscape, to create an experience of that place, and perhaps to bring some of that experience — the intimacy, the vulnerability — inside the house."

You can see his architectural philosophy at work in "Houses 2" (Princeton Architectural Press, 248 pp., $55), a handsome coffee-table book showcasing 17 of the award-winning architect's projects. Each house, cabin and "rolling hut" gets its own mini-essay, and each mini-essay comes illustrated with multiple photographs, many of them taken by Benjamin Benschneider (a Seattle Times photographer).

Kundig, a partner in Seattle's Olson Kundig Architects, was raised in Eastern Washington. "When you grow up in the Palouse or you spend time in the high desert," he comments in the book, "you learn very quickly how insignificant your place in that larger landscape is. To this day, I think that influences virtually every decision I make about architecture in its context."

The photographs in "Houses 2" drive that point home. An island retreat on Lopez called "The Pierre" is a vivid example. Built into the rockiest part of its lot (hence "Pierre," French for "stone"), it all but blends into the landscape from certain angles.

Other residences open themselves to their surroundings in startling ways. Walls and doors lift up or fold back to make indoor spaces into outdoor alcoves. Floor-to-ceiling windows make some rooms feel like glass tents.

One of Kundig's drollest indoor-outdoor flights of fancy is his "rolling hut," designed for a former RV campground in the upper Methow Valley where permanent structures were not allowed. Kundig's solution: Build elevated mini-cabins on wheels. Their light footprint on the site lets native grasses flourish, while their big picture windows let their inhabitants drink in the mountainscape around them.

Kundig often uses industrial materials requiring little maintenance — concrete, steel — on his houses' exteriors. That makes the sometimes rustic interiors of his buildings, with their wooden flooring and rafters, all the more surprising.

All the projects pictured in "Houses 2" are private residences, so if you don't know the owners, you're not likely to be able to tour them. But the book's artful shots of them let you come at them from all angles, creating an illusion of immersion in them.

If you want to learn more about Kundig's process, he speaks on Monday at the University of Washington.

NOTE: On the other side of Washington state, Jim Olson, founder of Olson Kundig, also has a big event going on. "Architecture for Art" is a 50-year retrospective of his career, with displays focused on his Lightcatcher Museum (in Bellingham), the Pike & Virginia Building (Seattle) and other projects. 10 a.m.-4 p.m. Monday-Saturday (until 7 p.m. Thursday) through Dec. 10, The Museum of Art at Washington State University, Fine Arts Center, Wilson Road across from Martin Stadium, Pullman; free (509-335-1910 or

Michael Upchurch:

News where, when and how you want it

Email Icon


NDN Video