A stylish new space honors another era with brick and beams
Finne first became acquainted with his predecessor seven years ago, when a Washington Park couple asked him to remodel the master bedroom in their rambling, English cottage-style house overlooking Lake Washington.
The latest of his projects began with the couple's request to refurbish the damp, gloomy spare bedroom in the basement into a space for kids. The couple's son and daughter, now 17 and 12, often have friends over, so it can get noisy.
Through several conversations, the list of needs and desires grew. The result is a stunning combination guest suite and entertainment/family room.
Finne aimed for the new construction to look distinctive yet honor the Loveless sense of proportion and fondness for sturdy brick and dark timbers. He tried to bridge the eras and respect the character of the home principally through use of exposed beams, brick and stucco for the interior.
He kept the new room open to accommodate the flow of frequent social gatherings and added a couple of disguised doors to stanch noise when kids took over.
The roughly 18-by-32-foot room is as multipurpose as they come. It has a window seat on the north end for readers. Custom fir cabinets on the opposite wall disguise a large-screen television and audio gear. The room also holds a regulation-size pool table, a chess set with table, a comfortable sofa and a built-in desk for business guests' use.
This space connects to a stylish guest suite a few steps up on the old basement level, where there's now a bedroom, half bath and kitchenette. The original exterior brick wall has been incorporated into the interior scheme.
The addition's most striking feature is its vaulted ceiling. Laminated-beam ribs arc overhead, roughened with hand tools to look old and stained the color of strong coffee to stand out against light-colored plaster. There is a grotto-like feel to the place. This is where old-world charm and Seattle style clink glasses.
Although a vaulted ceiling is not in the Loveless style, Finne says he was inspired by vaulted doorways elsewhere in the house.
The ceiling added to the complexity of the contractor's task, although the foundation posed the greatest challenge.
Builders had to excavate a few steps below the original basement level so the new curved roof could be capped with a second, waterproof lid to support the brick-topped dining-room terrace. Because access to the hillside was extremely limited, excavated soil was moved up and out with hand tools and conveyor-belt buckets. The general contractor Dow Construction, with Mark Schilperoort as project manager added extensive, expensive deep footings and underpinnings to ensure stability.
Next, an exterior masonry wall was pushed out 4 feet to accommodate the extended interior stairway. A brick planter box on the upper terrace disguises newly created headroom for the stairway just below.
The family room has its own terrace, also brick. It would be nearly impossible to match the brick Loveless used to build this house, so Finne asked a local supplier to blend four types for the terraces and walls. Schilperoort fashioned a planned randomness that bridges the eras.
The house is extremely well-preserved. Details matter. For example, when Finne designed an extension to the interior stairway, he specified that new oak treads be stained slightly lighter than the original steps, the better to aid the visual transition as visitors descend from the older part of the house down to the lighter, brighter space below.
"I had thought of graduating the stain color, lightening a little, step by step, but you have to stop somewhere," Finne says.
After more than a year of planning and construction, the project was finished by fall of 2000, and the couple couldn't be happier with the result.
Since they moved with their son and daughter from their 1,500-square-foot Manhattan apartment into this, their first house, they have learned it was built around 1925, and earned Loveless a Seattle American Institute of Architects award.
Now they're part of the house's history.
Dean Stahl is a Seattle free-lance writer. Benjamin Benschneider is a Pacific Northwest magazine staff photographer.
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